Andre 3000 the love below zip license#
Andre 3000 the love below zip zip#

The first of the two suites mainly deals with identity and self-realization the second is essentially a set of love songs.

Andre 3000 the love below zip license#

Her imagination and iconography deepen the record as an experience and give her license to go far out, but it ultimately serves as a fun, flashy framework for pop songs with universal lyrical sentiments. MonГЎe's sci-fi mythology is an inspired addition to the rich canon of Afrofuturist art, but it's not necessary to buy into her elaborate high concepts to get the basic appeal of her music. Her choice of outside collaborators has a similar effect in creating a context for herself, establishing kinship and aesthetic continuity with the unapologetically bohemian poet Saul Williams, the forward-thinking hip-hop of Big Boi from OutKast, and Of Montreal's flamboyant psychedelic funk. Everything that goes into her music comes out skewed, and even the most familiar elements of classic R&B- percussive horn stabs, scratchy rhythm guitar- suddenly seem fresh and modern rather than nostalgic and reverent. Her naked desire to become iconic is endearing- mainly because she is actually effective in presenting a look and a sound that is unmistakably her own, even when her influences are front and center. Her liner notes list off inspirations for each track, ranging from references to Star Wars and Stevie Wonder album art to Salvador Dali and 'the atomic bombs in Muhammad Ali's fists.' She comes off like an enthusiastic student of the arts, eager to create on the level of her top-shelf reference points. The ArchAndroid is deliberately conceived as a world unto itself, but MonГЎe very carefully places herself in a broader cultural context, as much out of ambition as wide-eyed fandom.

Her performances can be jaw-dropping- check out the transition from gentle folk phrasing to showstopping vocal runs on 'Oh, Maker' for one example- but she never gets in the way of her songs, which rely as much on her star power as the remarkable versatility of her band. Much like fellow sci-fi magpie David Bowie, MonГЎe sings with the confidence of a star, but is essentially a vocal chameleon who places the needs of her songs ahead of her ego. She inhabits each style with natural grace, nailing the subtleties of rapped verses and tight harmonies as well as she can belt out a climax or deliver a punky growl. The success of the album is also due to MonГЎe's raw talent as a vocalist. MonГЎe's dramatic structure goes a long way toward keeping this from being an incoherent pile-up of affectations, providing a narrative through line that makes sense of the transitions, and implies momentum and resolution even if you're tuning out the lyrics. Despite the style-hopping, the album is sequenced so that many of the songs flow together seamlessly, and the shifts in tone seem intuitive rather than jarring. Its most recent antecedent is AndrГ©В 3000's The Love Below, but MonГЎe and her songwriting partners skillfully avoid that album's overreach and missteps, showing a similar level of fearless creativity but with greater focus and discipline. The most impressive thing about The ArchAndroid isn't that it bounces between genres, but that it does so without compromising quality or cohesion. The first listen is mostly about being wowed by the very existence of this fabulously talented young singer and her over-the-top record every subsequent spin reveals the depths of her achievement. It most certainly works in this way, but at first blush, it's almost too much to take in all at once. MonГЎe describes The ArchAndroid as an 'emotion picture,' an album with a story arc intended to be experienced in one sitting, like a movie. It's about as bold as mainstream music gets, marrying the world-building possibilities of the concept album to the big tent genre-mutating pop of Michael Jackson and Prince in their prime.

Andre 3000 the love below zip zip#

The songs zip gleefully from genre to genre, mostly grounded in R&B and funk, but spinning out into rap, pastoral British folk, psychedelic rock, disco, cabaret, cinematic scores, and whatever else strikes her fancy. It's not even the beginning of the saga- the first sequence was her debut EP, Metropolis: The Chase Suite. It's a 70-minute, 18-track epic comprising two suites, each beginning with an overture, telling a futuristic story starring a messianic android. Janelle MonГЎe's The ArchAndroid immediately dazzles you with its ambition.